Last week's post did not include this roll of film that was developed later, but exposed at the same time.  I like this as much as what I posted then, but I don't yet have an opinion about which I'll print.  Some images are very, very personal, and don't connect with other viewers at all.  If I were presenting this (or any other photograph) on an actual website rather than a blog, I'd have to make a critical assessment of its worthiness.  But here, it's okay to present the wheat with the chaff, and see how it looks after a while. 

I've passed this lovely little pond in the town where I work for the past 28 years without ever stopping.  I am always drawn to it, and usually slow down to look, but have never had the time to stop.  However, I am retiring this week and will not pass this way again, so I finally did stop, and made some photographs.  The two below are ordered and then chaotic.  Choose either or neither.

One of the good things about using the 4x5 view camera is that if there are only one or two good photographs in front of you, you can just make the one or two.  At least with the Pentax 67 the roll only allows 10 exposures.  Having made them, though, there was only one image I was happy with which is presented below.  This little tree continues to thrive despite its precarious lake edge perch.  I made the photograph just as the sun was about to rise above the stand of trees directly behind this little guy. 

I see it's been a while since I've posted here. At last, today I got up before dawn, went out with the camera, and exposed a roll at sunrise.  I'm about to develop it, and I'll post what I hope will be at least two good images from the ten negatives when I see them.  But, while futzing around in the darkroom, I found a print I must have made in the very late nineties.  It's on RC paper that I haven't used since then, and the place the photograph was taken is Blue Mountain Reservation in Westchester County where I used to live.  I still like the image, although I did crop it a bit in keeping with the way I currently 'see'.

I've been too busy for photography these past six weeks.  But, on Friday, though tired after work, I couldn't resist the fog and muted light as I passed Croton Point Park on the drive home.  The weather has been fairly mild, so I had the Pentax kit and 'pod in the trunk, and wandered down to  the Hudson to see if it were worth putting film in the camera.  I think it was.

 

Near my home there are two lakes that I pass every day.   Round Lake is the one that's most accessible, and where I've taken the most photographs.  Walton Lake is much more difficult to photograph because there is no road shoulder to stop on, and the only two places one can park are a great distance away from the most interesting subjects.  But, last weekend I was seduced by fog and the puddled ice, and hiked here with the camera.  I've long wanted to photograph this tree, and did once in a way I wasn't happy with, but fog allowed it to be isolated from the background, and me to be happy to make this image.  It seems so lonely and fragile, but I'm sure it's happy where it is, and will thrive and grow for decades.

When Mannes and Godowsky developed color film in the 1920's and '30's, they must have been inspired by spring and fall; certainly not by the drear of winter in the northeast.  Except on bright sunny days, nature wears a monochrome mantle for nearly half a year.  Snow restricts the palette even more, and it's very difficult to generate an interesting photograph without other elements like water, ice, and sky.  A long drive in the country yesterday didn't result in seeing anything worth stopping the car for until coming to this little stream that snaked and meandered through a sparse grove of trees. It's not uncommon for streams to wind like this, but it is uncommon for them to do so over such a small distance.  Just right for the 135mm lens! 

In winter, the Hudson River is not only dynamic in its tides and currents, but also in the tremendous power of its ice.  Standing on the river's western shore in Cornwall, I was astonished at the roar it made as it floated on the south flowing current, crashing into enormous masses of previously shattered ice.  I imagined it to be a model of what tectonic plates must be like as they fracture the earth's crust in their inexorable movement.  In several months, the ice will be gone, but the rocks it has rearranged, the piers and landings it has damaged, and the newly carved scars in the banks of the river will remain. 

Once again I found myself at Round Lake with the camera last week.  If you saw the lake today, you'd see ice fisherman sitting on their stools, some with what look like porta-potties for shelter, and others just sitting with their ice augers beside them and fishing poles in hand.  We've had a spell of intense arctic air, and the temperatures are at or below 0 degrees Farenheit at night.  Now the ice is thick and will last a long time.  It also has a thin coat of snow, so the once interesting surface is a sheet of flat, white stuff void of detail and visual interest.

But, last week, when this photograph was taken, the lake hadn't made much of a commitment to  solidity, and anyone venturing out on it would have gotten very wet, very quickly.  I've no idea how these radiating breaks in the ice occur, but they give ample warning to humans, at least, to stay on shore. 

Monroe, NY is barely a blip on the map. It's a  commuter town about 50+ miles from NYC.  There isn't a lot of visual appeal here....a small business district that some moron thought would be more attractive if 'modernized'.  So charming, but elderly storefronts were demolished, and contemporary facades were substituted.  There's simply zero character left save one stroke of genius.  The Goose Pond!!  It is a very popular park as well as true haven for geese! They flock here in great numbers littering the ground with their 'presence'!!

One foggy morning recently, which is a rarity in itself, found me near this mile and a half path for walkers and joggers that circumscribes the banks of the pond.  It was foggy, and icy, and tempting enough for me to get out the gear and go for a walk until I chose this to photograph.


Update:  Yesterday, February 4th. all these trees were cut down, chopped up, and carted away.  I was so sad to see that happen.  It just seems that the town fathers in Monroe can't abide charm and beauty, and do whatever they can to expunge it. 

As I've noted before, fog is a rarity in this area, especially fog that lingers for more than a few hours in the morning.  But on a Saturday, when I can go out with the camera, fog that lasts well into the day is too good to ignore.  I drove around for quite a while looking for something like these two subjects.  And, in some remote part of my mind I knew I'd find something worthwhile to photograph in this place which is a dairy farm not very far from where I live. But, before arriving where these were made, I got myself lost on rural roads that were beautiful in their own right if not particularly photogenic. Both of these photographs were made at Belleville Farm in Orange County, New York.

What's unseen in the top picture, are the hundreds and hundreds of Canada geese sitting in the field just behind the tree.  Had I done something to roust them into flight,  they would have darkened the sky yet more than it was.  But....I didn't do that!  

Driving home on the Saturday that I made this photograph, the light and aerial drama was compelling enough to stop the car and set up the Pentax 67 kit.  As this view is of the WNW into the lowering sun, the polarizing filter would not have done a thing to bring out the values in the sky...but a Red 25A would!  And...it did.

I continue to photograph the places that are most familiar to me, because they are also the places whose variations I'm most sensitized to.  I would be surprised if one were to photograph a person he knew well only once.  Smiling, frowning, sympathetic, irritated, happy, sad, laughing, crying and an endless variety of other expressions are the stuff we all know about those with whom we share our lives. Why petrify only a single  moment?  Portraiture could be a dynamic portfolio. 

The landscape is also like that.  Sunny, cloudy, foggy, rainy, snowy, icy, and the infinite nuances of each of those states recast and transfigure the natural world.  These two photographs, made a week apart, are of a willow by Round Lake that I've photographed often. I'm sure it will continue to be the subject of many photographs to come.

Now and then I revisit really old work to see how it looks years later.  The upper of these two images is one of the first photographs I made that I liked well enough to print and show.  I had very little experience printing and even less mounting and matting let alone scanning and presenting on line.  Still, I was happy with what I had learned to do.  It was well received on the critique forum that I posted it to.

When I began making prints in the late 90's I printed on RC (resin coated) paper, and hadn't a clue about toning nor thought it was even necessary.  Apparently I reconsidered soon thereafter, because this is a scan of a print made on FB (fiber based) paper, and is fairly presentable.  At the time I only made prints in sizes that would fit pre-cut mats whether the image was best suited to that size or not.

But the second image takes advantage of a dozen years of experience with a negative I might not even consider making today.  It's cropped and toned, and eliminates areas that are extraneous to the point of the picture which is the silvery banks of the little stream.  As I now cut my own mats, the picture is cropped to best suit the image, and is easy to mount in whatever dimensions that crop may dictate.  I, of course, prefer that latter one, but other viewers may think the original vision is best.  However, it's out of my hands now; let the viewer choose the former, the latter or neither!  ;-)

The two images below were made in 2005 in the black dirt region of Orange County, NY.  I was driving around that area after a snowfall, and stopped with the camera because the sky was getting dramatic enough to be interesting.  Setting up the 4x5 view camera takes a good deal longer than a fixed lens camera, and I'm sure I missed a few good exposures with the slower machine, but I'm grateful for these two at least.

I've had mixed feelings about this photograph over the years since I made it.  On one hand, it's a fairly commonplace record of a man made waterfall, but on the other, it has a decidedly 19th century sensibility to it that I really respond to...old concrete, and an ancient stream that would be musty with age if it were indoors.  When I first printed it, I was not toning in sepia and selenium as I do now.  That toning makes a big difference in evoking the sense of relative antiquity that I think is inherent here.

It was made with my first view camera, a monorail 4x5 OmegaView using a 210mm Rodenstock  Geronar lens. 

I'm not sure how many times I've photographed Round Lake, but it has been often.  It's an easy place to visit, being close by, and as I pass it every day I witness its infinite variations.  The lake is beautiful in fog, in evening and morning light, in winter snow and ice, in calm and still air, and in seasonal color.  It has been the subject of probably the most extensive series of images I've made that I'm happy with.  I expect I'll get around to assembling all the prints I've made over the last several years, and offer them to any local venue that would like to show them.

This one is from late October.  If I were a slave to photoshop I'd have cloned out the leaves on the water, but, as I'm not, I chose to let them remain as I found them.  I've just made a darkroom print of this and it reveals even more leaves than you see in this scan.  Verite! 

Fog isn't as common here as I wish it were, and when it does show up in the early morning, I'm usually on my way to work.  But yesterday a fog had lingered until I returned, and I immediately got the camera and went behind our house to record what I saw.  Here are three of those images.  Even though they are not in the actual colors of the scene, for me at least, they achieve the sense and vibrations of lingering autumn leaves. 

Pond scum is inevitable.  It accumulates to the point of completely covering the surface of ponds and shallow lakes until cool weather ends its season. It's often rather boring...kinda like looking at a random group of clouds that doesn't resemble anything you can read into it.  But, sometimes as the scum ebbs a bit, what remains gets together and dances!  In a breeze driven spiral, this patch of scum was beautiful to me. 

Autumn color is at peak this weekend.  It's incredibly beautiful with saturated yellows, reds, and oranges.  Today is sunny, and the leafy brilliance is dazzling.  But, yesterday was rainy and clouded over which kept the color rich and soft without the glare and intensity that sunlight creates.  Of course, photographs in monochrome can't rely on the chroma of the leaves, but can rely on their values, especially against a strongly contrasting background.  These two photographs were made yesterday in a tiny little park that is bordered by busy roads.  The stream here was swollen with the day's rain, and there were countless fallen leaves that had been detached from their trees by its pelting.  I was happy that enough were left to make these images.  They'll almost certainly be gone in the next few days.