This past Sunday, August 19th I went to Phillies Bridge Farm and made these images which I like. It's a nice place to roam around in (it's a cooperative farm), and there are numerous picture possibilities.

On a foggy early morning at the end of July I returned to Round Lake hoping to make a worthwhile photograph. The air was still, and the fog was dense over the water. There was a distant boat (barely visible in the second 'graph in the upper left hand corner) cradling a couple of no doubt sleepy fishermen, but nothing else stirred even slightly. Making these two images was one of those pleasures that fisherman and photographers find the most gratifying. After patiently waiting, there's a 'bite' on the line.... and on the imagination.

This photograph is from the same roll as those immediately below, but it's set apart because it is has a distinct resonance for me. It represents an aspect of summer I cannot begin to define...something from my youth during which I distinctly remember experiencing certain moods when stimulated by certain visual environments. This one triggers those feelings. It's a very special place.

The three images below are of the Fishkill River in Beacon, New York. As rivers go this one is just too small for the word 'river' to make much sense, so I choose to call it a stream which may just be what 'kill' means in Dutch. They were made with my Mamiya C220 with a 135mm lens. That camera was the first medium format machine I acquired way back in the 1980's when they were still being made. I've not used it much since getting my Pentax 67 kit, and more recently a couple of 4x5 large format kits, but I really like the square format of the Mamiya and the the whole array is very light and compact...even with the prism finder which is a terrific improvement over the waist level finder. If I win the lottery, I'll get a Hassie, but that's as likely as my getting 20 years younger!

I see that I haven't posted here since March 13th. I think the reason is that I haven't been motivated to print the photographs I've been making and scan them, because I've been too ambivalent about their worthiness. Does this happen to most photographers or other folks making utterly impractical 'art' from time to time? I suspect it does, because I've discovered, to my great disappointment, that in the broadest of terms, I'm not unique.....;) So, in the manner of soooo many website owners, I'll just state that more wonderfulness is 'coming soon' and try to get a good night's sleep. (winking furiously.....ow!)

Here are a few photographs of a local area I really enjoy visiting. I've made many images at this wetland, but I've been selective about the ones I think are 'keepers'. Though others have often used the phrase, I think of these as embodying "a sense of place". They were all made with a Shen-Hao 4x5 camera and 150mm Schneider G-Claron lens.

I've had mixed feelings about this as an 11x14 print thinking it might be better smaller (too strongly graphic perhaps), but I've now decided that I like it that large. It was made from a 4x5 negative in a Shen-Hao camera. I think the lens was a 250mm Fujinon, but I'm not certain.

I've finally gotten around to printing this. It was taken in November of last year with the P67 and 135mm lens. It's been printed on the last of my Ilford Warmtone 8x10 FB paper. As an 8x10 (though it may someday be printed larger) it's a little gem. That day was a very successful outing that resulted in several 'keepers'.

Common visions....similar 'graphs.

I was looking through my new copy of John Sexton's excellent book Recollections, and noticed that Plate 32 looked a lot like a 'graph I made on Schunnemunk mountain a number of years ago. Well, of course, I'm not comparing my work to Mr. Sexton's in any other way than to have noticed there's a similar subject arranged similarly to his, but I thought that was pretty cool.

Starting out.

This is my first journal/blog/online gallery. I'll be curious about how conscientious I can be about keeping it current. Hmmmm.....we'll see!!

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